• About Jeff von der Schmidt, the Hà Nội New Music Ensemble & LA International New Music Festival

Sound Travels with Jeff von der Schmidt

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Sound Travels with Jeff von der Schmidt

Category Archives: Cambodia

Sound Dreams in Los Angeles

16 Wednesday Jul 2014

Posted by Jeff von der Schmidt in Cambodia, Carlos Chavez, Composers, Contemporary Music, Elliott Carter, Evan Hughes, John Cage, Kyoto, LA International New Music Festival, Latin Grammy Awards, Los Angeles, Mexico, Music, Southwest Chamber Music, Travel, Uncategorized, Vietnam

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Bruce Weigl, Cambodia, Carlos Chavez, David Letterman, Elliott Carter, Gabriela Ortiz, Grammy Awards, John Cage, LA International New Music Festival, Mineko Grimmer, Nieuw Ensemble, Song Hong Ensemble, Tambuco Percussion Ensemble, Unsuk Chin, Vietnam War, Vu Nhat Tan, William Kraft

East meets West in Los Angeles.

East meets West in Los Angeles as violist Do Huong Tra My of Hanoi tries Cafecito Organico at the Hollywood Farmers Market.

David Letterman, the revered American comic who has been keeping us up late at night for over 30 years here in the United States, revealed the two components of a good joke. To be funny the joke has to be 1) Obvious and 2) Stupid. Say all the words right and you can cue laughter.

If you are already one of my 4500 blog readers in 80 countries, you know I don’t see my LA International New Music Festival as an independent endeavor. So many ideas go into artistic decisions that adopting a single viewpoint is at the least annoying and at the worst dishonest. My thoughts and plots for the 2015 Festival continue apace, but for this post I thought I’d create an exposition of idea and concept behind the next installment.

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A French Hangover, Part 1

22 Sunday Sep 2013

Posted by Jeff von der Schmidt in Cambodia, Composers, Contemporary Music, LA International New Music Festival, Music, Southwest Chamber Music, Travel, Uncategorized, Vietnam

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A  silk fabric shop in Hanoi.

A silk fabric shop in Hà Nội.

One city casts a spell of identity crisis shared throughout Asia, a complicated emulsion of external anguish married to secret admiration. In visiting Asia over the last decade, to fall in love with Việt Nam, Cambodia, Laos, Japan or the French Concession in Shanghai, I’ve had to acknowledge the ghosts of Paris and France. Over time, my intuition, married to serious study, helped me piece together the terrible results of extractive colonialism juxtaposed with the persistent Asian fascination for, in most cases, a former brutal oppressor.  In order to begin a new chapter making “something wonderful happen,” as I had promised Loi Trinh Le, I knew a great deal of effort would be needed to make sense of the cultural possibilities of the 21st century. But things could not get worse than the horrors of the 20th century wars.

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