Tag Archives: Tambuco Percussion Ensemble

In the Land of the Jaguar: My Mayan Diary of the Yucatán

22 Wednesday Feb 2017

Posted by in Chichen Itza, Cobá, Ek Balam, Gabriela Ortiz, Hotel Zentik Project, Izamal, LA International New Music Festival, Mexico, Music, Sian Ka'an, Tambuco Percussion Ensemble, Tulum, Uncategorized, Uxmal, Yucatan

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The Pyramid of Kulkulkan at Chichén Itzá.

“Trust me, you will find your life divided,” predicted my best friend Ricardo Gallardo, director of the Tambuco Percussion Ensemble in México City. “There will be your life before the Yucatán, and then your life after the Yucatán.”

And Ricardo was right. After experiencing the vanished myths blending with the contemporary reality of the Maya Empire for the first time, a world that still spreads itself from Chiapas and the Yucatán Peninsula in México south to Guatemala, Belize, Honduras and El Salvador in Central America, I am forever changed.

A visit to the birthplace of the sky? You can find it in the Yucatán.

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Los Angeles International New Music Festival Plans: More from Bogotá

31 Thursday Mar 2016

Posted by in Bogota, Colombia, Composers, Contemporary Music, Food, LA International New Music Festival, Los Angeles, Mexico, Southwest Chamber Music, Tambuco Percussion Ensemble, Travel, Uncategorized

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The Santa Clara Convent in Bogota's La Candelaria.

The Santa Clara Convent in Bogotá’s La Candelaria District.

My last post contained a vibrant dose of Colombian energy, demonstrated by the opening citywide parade in Bogotá announcing the XV Iberoamerican Festival. As I’m beginning to process the impact visiting Colombia is exerting on my imagination (which kicked into high gear yesterday as we finally saw Ciro Guerra’s extraordinary Academy Award nominated film Embrace the Serpent) I’m reminded of one of the first conversations we had in Bogotá.

“Let me try to explain the situation of identity in Colombia for you,” said our new friend composer Rodolfo Acosta, the protagonist of contemporary music in Bogotá.

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Los Angeles International New Music Festival Plans: Bogotá Meetings

23 Wednesday Mar 2016

Posted by in Bogota, Cartagena, Colombia, Composers, Contemporary Music, Food, Gabriela Ortiz, LA International New Music Festival, Tambuco Percussion Ensemble, Travel, Uncategorized

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Morning light on Santa Fe de Bogota's cathedral.

Morning light on Bogotá’s cathedral in Plaza Bolívar.

I’ve just returned from my first trip to Colombia, where Jan and I visited the cities of Cartagena and Bogotá for a series of meetings for the next Los Angeles International New Music Festival. We decided on going to our American neighbor for two reasons. One was the encouragement of Tambuco’s director, Ricardo Gallardo, who has been helping us get a handle on the new music and cultural scene of Latin America and urged us to begin with Colombia.

The other reason was our hunch that the achievement of Gabriel García Márquez was not a fluke. Behind such impressively great literature had to be a deep well of culture.

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Los Angeles International New Music Festival Plans: Pasadena Meetings

20 Saturday Feb 2016

Posted by in Austria, Composers, Contemporary Music, Coyoacan, Diplomacy, Food, Hanoi New Music Ensemble, LA International New Music Festival, Los Angeles, Mexico, Music, REDCAT, Silverlake, Song Hong Ensemble, Southwest Chamber Music, Tambuco Percussion Ensemble, Travel, Uncategorized, Vienna, Vietnam, Walt Disney Concert Hall

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Javier Alvarez Corazon de Metal with Tambuco and Southwest at REDCAT July 2015.

Javier Alvarez’s Metal de Corazones with Tambuco and Southwest at REDCAT July 2015.

“Louis, I think this is the beginning of a beautiful friendship.” Humphrey Bogart, Casablanca

My last post brought you up to date on December meetings we had in Tokyo about the Los Angeles International New Music Festival. Jan and I have had a lot of important visits from new and old friends during January and the first part of February here in our Pasadena home. We’re setting the stage to weave elements of Latin America, Asia, Europe and the U.S. together as I plan the next festival’s incarnation.

Let me take you behind the scenes. We’ve had a busy beginning to 2016!

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Los Angeles International New Music Festival Plans: Tokyo Meetings

10 Wednesday Feb 2016

Posted by in Composers, Contemporary Music, Hanoi New Music Ensemble, Japan, LA International New Music Festival, Los Angeles, Mexico, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Travel, Uncategorized, Vietnam, Walt Disney Concert Hall

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With Ricardo Gallardo in his Coyoacan home August 2015.

Dreams and celebrations for the LA International New Music Festival with Ricardo Gallardo in his Mexico City home.

After my busy autumn in Asia, the next Los Angeles International New Music Festival is in the planning stages. We hope to build on the success we enjoyed at REDCAT Theater in Walt Disney Concert Hall this past July.

I’m casting a wide net for the next festival. Thirty years of experience has taught me to carefully plan, plan, plan. And then plan some more. In baseball terms, I’m not swinging at the first pitch but rather patiently waiting for the pitch that I know I can crush out of the park!

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The Gin Party!

24 Monday Aug 2015

Posted by in Composers, Contemporary Music, Elliott Carter, Food, LA International New Music Festival, Los Angeles, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Walt Disney Concert Hall

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From left to right Amanda Aachen, Jon Lee Keenan, Abdiel Gonzalez and Elissa Johnston.

From left to right Amanda Aachen, Jon Lee Keenan, Abdiel Gonzalez and Elissa Johnston.

I hope you’re hungry and thirsty when you read this post!

It’s funny how celebrations come together. When I planned an all Elliott  Carter concert for our recently completed Los Angeles International New Music Festival at REDCAT, I didn’t give the idea the green light until I got positive responses from Jon Lee Keenan, Abdiel Gonzalez and Elissa Johnston. And all three were concert ready from the very first note, impressive to say the least

At the first rehearsal at my house, well ahead of getting together with the ensemble, Abdiel and I got to talking, as he had just returned from a tour to Ireland. Whiskey tastings had started around 10 AM. How about a true cocktail party to celebrate the Carter concert?

And so The Gin Party was born! Continue reading →

A 2015 LA International New Music Festival Photo Album

31 Friday Jul 2015

Posted by in Composers, Contemporary Music, Elliott Carter, Gabriela Ortiz, Japan, LA International New Music Festival, Laura Mercado-Wright, Los Angeles, Mexico, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Toshio Hosokawa, Vietnam, Walt Disney Concert Hall

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A good reason for smiles with Tambuco at REDCAT.

A good reason for smiles from Jan Karlin and Tambuco at REDCAT.

My friend Ricardo Gallardo, director of the magnificent Tambuco Percussion Ensemble of Mexico City, said it best at the conclusion of our third Los Angeles International New Music Festival. “We are just getting started!” 17 composers from Mexico, Japan, Vietnam, Cuba, Argentina, Colombia, Uruguay, Costa Rica, Brazil and the United States in 23 works in 5 concerts performed by 45 musicians at REDCAT in Walt Disney Concert Hall played to over 1,000 appreciative audience members. Let’s not leave out 10 U.S. premieres and 5 here on the West Coast, as well as hosting composers Gabriela Ortiz from Mexico and Leopoldo Novoa of Colombia.

We have some exciting photos so let’s take a look at the concerts and the people who made this a not to be forgotten festival.

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The Tambuco Studio in Xalapa: “Are Those Marimbas I Hear, Mr. Bond?”

05 Sunday Jul 2015

Posted by in Composers, Contemporary Music, Elliott Carter, Gabriela Ortiz, Hollywood, LA International New Music Festival, Los Angeles, Mexico, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Travel

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A Day of the Dead Parade opens SPECTRE, the next James Bond film.

A Day of the Dead Parade opens SPECTRE, the next James Bond film.

Here’s a Fun LA International New Music Festival Fact: Tambuco is part of the soundtrack of SPECTRE and the largest opening sequence in the history of the James Bond films set for release this November. To Tambuco’s surprise, director Sam Mendes is a huge fan of their work (via YouTube clips) and sent composer Thomas Newman to Mexico City to work on the score with them prior to shooting. Prepare for a percussive opening, that’s for sure!

This gargantuan opening sequence shut down the main square of Mexico City for about a week with thousands of extras, elaborately face painted and costumed for a Day of the Dead chase scene. Newman’s music is performed by Tambuco, who are also on camera during the sequence. We couldn’t be more proud of Tambuco!

“Are those marimbas I hear in Xalapa, Mr. Bond?”

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2015 Los Angeles International New Music Festival Starts July 7 at REDCAT!

01 Wednesday Jul 2015

Posted by in Composers, Contemporary Music, Elliott Carter, Gabriela Ortiz, Hong Kong, LA International New Music Festival, Latin Grammy Awards, Laura Mercado-Wright, Los Angeles, Mexico, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Toshio Hosokawa, Travel, Vietnam, Walt Disney Concert Hall

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REDCAT in Walt Disney Concert Hall is the new home of the LA International New Music Festival.

REDCAT in Walt Disney Concert Hall is the new home of the LA International New Music Festival.

I love studying scores early in the morning. Maybe it’s because I was born around 8:20 A.M. – some say that’s a good indication of a morning person. Those early hours are undistracted and quiet for learning chords, orchestration, voicings, tempi, interpretation, making all the new details familiar like old friends.

My rule of thumb is to go to sleep each night truly putting the day’s work away. If I can remember everything clearly when I wake up the next morning, I’ve learned just a bit more for the coming performances and then know what to repeat and when to move forward. That makes the next early morning so important for my work habit. And I knew today I’m ready for our LA International New Music Festival starting at REDCAT next week on Tuesday July 7 at 8:30 P.M., with a pre-concert talk at 8 P.M.

Because this morning I got a visitor telling me that just the right energy is coming out of my study!

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From 100 to 103: The Wisdom of Elliott Carter

18 Thursday Jun 2015

Posted by in Composers, Contemporary Music, Elliott Carter, Evan Hughes, LA International New Music Festival, Los Angeles, Music, New York City, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Walt Disney Concert Hall

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Elliott Carter at work in his Greenwich Village apartment on W. 12th.

Elliott Carter at work in his Greenwich Village apartment on W. 12th Street.

Around 2:30 P.M. on the afternoon of June 7th, 2012 my wife Jan and I arrived at Elliott Carter’s apartment for what was to be our last meeting together.  With Jan’s family in Brooklyn and New Jersey, we’d drop in on Elliott every opportunity we could and have luckily lost count just how many times we’d visited.  As Elliott entered his late 90s, each meeting became a special occasion. He was 103 that final late spring day.

The days of lunches prepared by his wife Helen were long gone by that point, but we still remember her simple New England tomato soup, and often quietly wear the scarf she gave Jan or the tie she gave me. And Carter was not far, about a block down and over, from the apartment of Charles Ives, which we’d sometimes go and see after visiting with Carter.

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