Category Archives: REDCAT

Los Angeles International New Music Festival Plans: Pasadena Meetings

20 Saturday Feb 2016

Posted by in Austria, Composers, Contemporary Music, Coyoacan, Diplomacy, Food, Hanoi New Music Ensemble, LA International New Music Festival, Los Angeles, Mexico, Music, REDCAT, Silverlake, Song Hong Ensemble, Southwest Chamber Music, Tambuco Percussion Ensemble, Travel, Uncategorized, Vienna, Vietnam, Walt Disney Concert Hall

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Javier Alvarez Corazon de Metal with Tambuco and Southwest at REDCAT July 2015.

Javier Alvarez’s Metal de Corazones with Tambuco and Southwest at REDCAT July 2015.

“Louis, I think this is the beginning of a beautiful friendship.” Humphrey Bogart, Casablanca

My last post brought you up to date on December meetings we had in Tokyo about the Los Angeles International New Music Festival. Jan and I have had a lot of important visits from new and old friends during January and the first part of February here in our Pasadena home. We’re setting the stage to weave elements of Latin America, Asia, Europe and the U.S. together as I plan the next festival’s incarnation.

Let me take you behind the scenes. We’ve had a busy beginning to 2016!

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Los Angeles International New Music Festival Plans: Tokyo Meetings

10 Wednesday Feb 2016

Posted by in Composers, Contemporary Music, Hanoi New Music Ensemble, Japan, LA International New Music Festival, Los Angeles, Mexico, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Travel, Uncategorized, Vietnam, Walt Disney Concert Hall

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With Ricardo Gallardo in his Coyoacan home August 2015.

Dreams and celebrations for the LA International New Music Festival with Ricardo Gallardo in his Mexico City home.

After my busy autumn in Asia, the next Los Angeles International New Music Festival is in the planning stages. We hope to build on the success we enjoyed at REDCAT Theater in Walt Disney Concert Hall this past July.

I’m casting a wide net for the next festival. Thirty years of experience has taught me to carefully plan, plan, plan. And then plan some more. In baseball terms, I’m not swinging at the first pitch but rather patiently waiting for the pitch that I know I can crush out of the park!

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The Gin Party!

24 Monday Aug 2015

Posted by in Composers, Contemporary Music, Elliott Carter, Food, LA International New Music Festival, Los Angeles, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Walt Disney Concert Hall

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From left to right Amanda Aachen, Jon Lee Keenan, Abdiel Gonzalez and Elissa Johnston.

From left to right Amanda Aachen, Jon Lee Keenan, Abdiel Gonzalez and Elissa Johnston.

I hope you’re hungry and thirsty when you read this post!

It’s funny how celebrations come together. When I planned an all Elliott  Carter concert for our recently completed Los Angeles International New Music Festival at REDCAT, I didn’t give the idea the green light until I got positive responses from Jon Lee Keenan, Abdiel Gonzalez and Elissa Johnston. And all three were concert ready from the very first note, impressive to say the least

At the first rehearsal at my house, well ahead of getting together with the ensemble, Abdiel and I got to talking, as he had just returned from a tour to Ireland. Whiskey tastings had started around 10 AM. How about a true cocktail party to celebrate the Carter concert?

And so The Gin Party was born! Continue reading →

Autumn in Asia: New Roles as Artistic Advisors in Hà Nội, Việt Nam Begin in October

17 Monday Aug 2015

Posted by in Composers, Contemporary Music, Food, LA International New Music Festival, Music, REDCAT, Southwest Chamber Music, Travel, Vietnam

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Jan and I at

At Phở Sương, or Happy Noodle, in the Old Quarter of Hà Nội in 2013.

Jan and I are thrilled, honored, and excited to begin a new adventure this October, one which I am happy to share with all my blog readers around the world.

Soon after my last post about our Los Angeles International New Music Festival at REDCAT in Walt Disney Concert Hall, an official invitation arrived from Dr. Lê Anh Tuấn, Deputy Rector of the Việt Nam National Academy of Music in Hà Nội. Dr. Tuan was inviting us to serve as Artistic Advisors to the Hà Nội Philharmonic Orchestra and play a key role in the founding of the Hà Nội New Music Ensemble.

Our answer? An obvious and immediate YES, YES, YES!

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A 2015 LA International New Music Festival Photo Album

31 Friday Jul 2015

Posted by in Composers, Contemporary Music, Elliott Carter, Gabriela Ortiz, Japan, LA International New Music Festival, Laura Mercado-Wright, Los Angeles, Mexico, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Toshio Hosokawa, Vietnam, Walt Disney Concert Hall

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A good reason for smiles with Tambuco at REDCAT.

A good reason for smiles from Jan Karlin and Tambuco at REDCAT.

My friend Ricardo Gallardo, director of the magnificent Tambuco Percussion Ensemble of Mexico City, said it best at the conclusion of our third Los Angeles International New Music Festival. “We are just getting started!” 17 composers from Mexico, Japan, Vietnam, Cuba, Argentina, Colombia, Uruguay, Costa Rica, Brazil and the United States in 23 works in 5 concerts performed by 45 musicians at REDCAT in Walt Disney Concert Hall played to over 1,000 appreciative audience members. Let’s not leave out 10 U.S. premieres and 5 here on the West Coast, as well as hosting composers Gabriela Ortiz from Mexico and Leopoldo Novoa of Colombia.

We have some exciting photos so let’s take a look at the concerts and the people who made this a not to be forgotten festival.

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The Tambuco Studio in Xalapa: “Are Those Marimbas I Hear, Mr. Bond?”

05 Sunday Jul 2015

Posted by in Composers, Contemporary Music, Elliott Carter, Gabriela Ortiz, Hollywood, LA International New Music Festival, Los Angeles, Mexico, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Travel

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A Day of the Dead Parade opens SPECTRE, the next James Bond film.

A Day of the Dead Parade opens SPECTRE, the next James Bond film.

Here’s a Fun LA International New Music Festival Fact: Tambuco is part of the soundtrack of SPECTRE and the largest opening sequence in the history of the James Bond films set for release this November. To Tambuco’s surprise, director Sam Mendes is a huge fan of their work (via YouTube clips) and sent composer Thomas Newman to Mexico City to work on the score with them prior to shooting. Prepare for a percussive opening, that’s for sure!

This gargantuan opening sequence shut down the main square of Mexico City for about a week with thousands of extras, elaborately face painted and costumed for a Day of the Dead chase scene. Newman’s music is performed by Tambuco, who are also on camera during the sequence. We couldn’t be more proud of Tambuco!

“Are those marimbas I hear in Xalapa, Mr. Bond?”

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2015 Los Angeles International New Music Festival Starts July 7 at REDCAT!

01 Wednesday Jul 2015

Posted by in Composers, Contemporary Music, Elliott Carter, Gabriela Ortiz, Hong Kong, LA International New Music Festival, Latin Grammy Awards, Laura Mercado-Wright, Los Angeles, Mexico, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Toshio Hosokawa, Travel, Vietnam, Walt Disney Concert Hall

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REDCAT in Walt Disney Concert Hall is the new home of the LA International New Music Festival.

REDCAT in Walt Disney Concert Hall is the new home of the LA International New Music Festival.

I love studying scores early in the morning. Maybe it’s because I was born around 8:20 A.M. – some say that’s a good indication of a morning person. Those early hours are undistracted and quiet for learning chords, orchestration, voicings, tempi, interpretation, making all the new details familiar like old friends.

My rule of thumb is to go to sleep each night truly putting the day’s work away. If I can remember everything clearly when I wake up the next morning, I’ve learned just a bit more for the coming performances and then know what to repeat and when to move forward. That makes the next early morning so important for my work habit. And I knew today I’m ready for our LA International New Music Festival starting at REDCAT next week on Tuesday July 7 at 8:30 P.M., with a pre-concert talk at 8 P.M.

Because this morning I got a visitor telling me that just the right energy is coming out of my study!

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From 100 to 103: The Wisdom of Elliott Carter

18 Thursday Jun 2015

Posted by in Composers, Contemporary Music, Elliott Carter, Evan Hughes, LA International New Music Festival, Los Angeles, Music, New York City, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Walt Disney Concert Hall

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Elliott Carter at work in his Greenwich Village apartment on W. 12th.

Elliott Carter at work in his Greenwich Village apartment on W. 12th Street.

Around 2:30 P.M. on the afternoon of June 7th, 2012 my wife Jan and I arrived at Elliott Carter’s apartment for what was to be our last meeting together.  With Jan’s family in Brooklyn and New Jersey, we’d drop in on Elliott every opportunity we could and have luckily lost count just how many times we’d visited.  As Elliott entered his late 90s, each meeting became a special occasion. He was 103 that final late spring day.

The days of lunches prepared by his wife Helen were long gone by that point, but we still remember her simple New England tomato soup, and often quietly wear the scarf she gave Jan or the tie she gave me. And Carter was not far, about a block down and over, from the apartment of Charles Ives, which we’d sometimes go and see after visiting with Carter.

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YOUNG RICE from Việt Nam arrives in Los Angeles July 9!

11 Thursday Jun 2015

Posted by in Composers, Contemporary Music, LA International New Music Festival, Los Angeles, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Vietnam, Walt Disney Concert Hall

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The Water Puppet Theater in Hanoi, Vietnam

The Water Puppet Theater in Hà Nội, Việt Nnam.

The music and instruments of Việt Nam are captivating. As rich a tradition as any other country in Asia, Vietnamese is also a prestissimo language perfectly suited to the sounds of their evocative culture.

Our Los Angeles International New Music Festival program on July 9 at REDCAT will focus on old enemies and rivals being transformed through music. Cuba, Việt Nam, México and Japan. As Americans we have had complicated relations with all of them, and it often can seem like some of the problems are ongoing.

As Ricardo Gallardo and I kept discussing ideas for this festival, we agreed that music can often succeed where business and politics stumble, and hit upon this concert to open new friendship between old adversaries.

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Toshio Hosokawa’s THE RAVEN receives West Coast Premiere July 9 with Laura Mercado-Wright

04 Thursday Jun 2015

Posted by in Contemporary Music, Japan, LA International New Music Festival, Latin Grammy Awards, Laura Mercado-Wright, Los Angeles, REDCAT, Southwest Chamber Music, Toshio Hosokawa, Walt Disney Concert Hall

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Laura Mercad0-Wright is The Raven on July 9.

Laura Mercado-Wright is The Raven on July 9.

Sometimes ideas are obvious, a favorite theme of mine. On first glance the idea of a Japanese composer setting the iconic poem The Raven by Edgar Allan Poe seemed to approach hubris. Really, a Japanese composer taking on one of the most famous American poems? But I was curious about Toshio Hosokawa, an important Japanese composer I’d been hearing about from friends Kent Nagano, Momo Kodama and Ichiro and Tami Nodaira, and asked for a perusal score from his publisher, Yuki Yokota at Schott Japan.

Fortunately Hosokawa’s score appeared in a timely way in my mailbox from Tokyo a few months ago. I started reading the piece and rereading the poem. I got hooked, very hooked, in a matter of hours, and started to grasp the obvious. And I heard the voice of my good friend Laura Mercado-Wright after the first few bars.

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