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Sound Travels with Jeff von der Schmidt

~ A blog about new music, travel and food

Sound Travels with Jeff von der Schmidt

Category Archives: Carlos Chavez

The 25th Anniversary of the Tambuco Percussion Ensemble in México City

12 Wednesday Dec 2018

Posted by Jeff von der Schmidt in Carlos Chavez, Colombia, Composers, Contemporary Music, Hanoi New Music Ensemble, Japan, LA International New Music Festival, Latin Grammy Awards, Mexico, Tambuco Percussion Ensemble, Uncategorized, William Kraft

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Alfredo Bringas, Ana Gabriela Fernández, Barbara Scales, Cafe Tacuba, Carlos Chavez, Gabriela Ortiz, James Bond SPECTRE, Mario Lavista, Masako Okamura, Mexico, Mexico City, Miguel Zaragoza, Palacio de Belles Artes, Raul Tudon, Ricardo Gallardo, Ricardo Rozental, Tambuco Percussion Ensemble, William Kraft

F47BAC8B-207D-4ADA-AD4A-297798353A6D

Tambuco celebrates 25 years, with guest pianist Ana Gabriela Fernández.

“The spirit of percussion opens everything, even what was, so to speak, completely closed.” – John Cage

Ricardo Gallardo and I have been partners in new music projects for a long time. We got started because of an introduction by American icon William Kraft, have received four Grammy nominations for our collaborative CD recordings, Southwest Chamber Music toured México multiple times, at UNAM and in Guadalajara, Tambuco has come to Los Angeles multiple times, to both Herbert Zipper Hall at the Colburn School and REDCAT in Walt Disney Concert Hall.

We’ve even tracked each other down in Japan!

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The Blue & Red Houses of Frida Kahlo & Leon Trotsky

17 Thursday Sep 2015

Posted by Jeff von der Schmidt in Carlos Chavez, Carlos Fuentes, Contemporary Music, Coyoacan, Diego Rivera, Frida Kahlo, Gabriela Ortiz, Hanoi, Leon Trotsky, Vu Nhat Tan

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Carlos Chavez, Carlos Fuentes, Coyoacan, Diego Rivera, Frida Kahlo, Gabriela Ortiz, Hanoi, LA International New Music Festival, Leon Trotsky, Mexico, Southwest Chamber Music, Vietnam

La Casa Azul in Coyoacan of Kahlo and Rivera.

La Casa Azul in Coyoacan of Kahlo and Rivera.

I’m very much in two worlds simultaneously right now. I’ve recently returned from an amazing week in Coyoacan with Gabriela Ortiz, following up with her and other friends in Mexico City on the success of our Los Angeles International New Music Festival this past July and planning next steps for the future. At the same time I’m also wrapping my head around my new post as artistic advisor to the Hanoi Philharmonic Orchestra and planning the first concerts of the Hanoi New Music Ensemble (probably its working title for now).

Glad to be based in Los Angeles, where the question for dinner can easily boil down to pho noodle soup? Or tacos?

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Sound Dreams of Mexico City

24 Tuesday Mar 2015

Posted by Jeff von der Schmidt in Carlos Chavez, Composers, Contemporary Music, LA International New Music Festival, Latin Grammy Awards, Los Angeles, Mexico, Music, Southwest Chamber Music, Travel, Uncategorized

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Alejandro Escuer, Alex Ross, Ana Lara, Carlos Chavez, Gabriela Ortiz, Imperial Palace Tokyo, Japan Prize, Latin Grammy Awards, Ricardo Gallardo, Tambuco Percussion Ensemble, The Rest is Noise, UNAM

The alebrijes workshop of Jacopo Angeles in Oaxaca.

The magical alebrijes workshop of Jacopo Angeles in Oaxaca.

“Jeff, have you read this book The Rest is Noise by Alex Ross that everyone says is so important? Do you know my reaction being from Mexico? Not ONE single composer from all of Latin America is even mentioned. Not one. So I guess we just don’t even EXIST for this powerful gringo critic?”

My friend composer Gabriela Ortiz wasn’t making a point, she was issuing an indictment about a blind and ruthless expression of cultural superiority, her declaration worthy of the El Grito of Padre Hidalgo. But my answer would throw another log on the fire. I delivered my response nonchalantly as we ordered another drink. “That’s not all – no composer from Asia has a defining role in that book either. It’s all about Europe and America, and it’s all about men leading the charge.”

“Exactamente, amigo,” lamented Gabriela into her tequila. Ouch, Mr. Ross.

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Sound Dreams in Los Angeles

16 Wednesday Jul 2014

Posted by Jeff von der Schmidt in Cambodia, Carlos Chavez, Composers, Contemporary Music, Elliott Carter, Evan Hughes, John Cage, Kyoto, LA International New Music Festival, Latin Grammy Awards, Los Angeles, Mexico, Music, Southwest Chamber Music, Travel, Uncategorized, Vietnam

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Bruce Weigl, Cambodia, Carlos Chavez, David Letterman, Elliott Carter, Gabriela Ortiz, Grammy Awards, John Cage, LA International New Music Festival, Mineko Grimmer, Nieuw Ensemble, Song Hong Ensemble, Tambuco Percussion Ensemble, Unsuk Chin, Vietnam War, Vu Nhat Tan, William Kraft

East meets West in Los Angeles.

East meets West in Los Angeles as violist Do Huong Tra My of Hanoi tries Cafecito Organico at the Hollywood Farmers Market.

David Letterman, the revered American comic who has been keeping us up late at night for over 30 years here in the United States, revealed the two components of a good joke. To be funny the joke has to be 1) Obvious and 2) Stupid. Say all the words right and you can cue laughter.

If you are already one of my 4500 blog readers in 80 countries, you know I don’t see my LA International New Music Festival as an independent endeavor. So many ideas go into artistic decisions that adopting a single viewpoint is at the least annoying and at the worst dishonest. My thoughts and plots for the 2015 Festival continue apace, but for this post I thought I’d create an exposition of idea and concept behind the next installment.

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From Menudo to Copland: My Road to Carlos Chávez

18 Monday Nov 2013

Posted by Jeff von der Schmidt in Carlos Chavez, Composers, Contemporary Music, Food, LA International New Music Festival, Latin Grammy Awards, Mexico, Music, Southwest Chamber Music, Travel, Uncategorized

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Carlos Chavez, Cesar Chavez, Gabriela Ortiz, Igor Stravinsky, Los Angeles, Mexico, Southwest Chamber Music, United States

The magical city of Taxco.

The magical city of Taxco.

In 27 years directing Southwest Chamber Music the two questions I’ve received with the most frequency are “How to you decide on your concert programs?” and “How did you learn about the music of Carlos Chávez?” Some recent posts have offered clues to the answer of the first question and it needs the more complicated response of the two questions.

But to answer the question about Carlos Chávez is not so difficult. And I’m old enough now to enjoy the memories that make the answer delicious.

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