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Sound Travels with Jeff von der Schmidt

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Sound Travels with Jeff von der Schmidt

Tag Archives: Dong Kinh Co Nhạc

The House in Bắc Ninh

02 Sunday Oct 2016

Posted by Jeff von der Schmidt in Ancient Ensemble of Tonkin, Composers, Diplomacy, Food, Hanoi, Hanoi New Music Ensemble, Minh Dam Quang, Music, Uncategorized, Vietnam, Vu Nhat Tan

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Ancient Ensemble of Tonkin, Asia, Bắc Ninh, Buddhism, Ceramics, Chùa Dâu, Chùa Linh Am, China, Dong Kinh Co Nhạc, France, Hanoi, Hanoi New Music Ensemble, Ho Chi MInh, Minh Dam Quang, Provence, Vietnam, Vietnamese Cuisine, Vu Nhat Tan

Is this Provence or Viet Nam?

What do you think? Provence or Việt Nam?

Culture neither survives nor advances by accident. Decades of violent rupture does not bode well for continuity. In the case of Việt Nam, it takes people dedicated to renaissance to find out about the past after decades of turbulent experience. What our friends here are faced with gives the definition of the word contradiction a whole new vocabulary.

My wife and I weren’t totally clear on the significance of a text from our friends Bông Hoa and Vũ Nhật Tân. “Minh and us want to take you to a village in Bắc Ninh to the oldest ceramics maker area in Việt Nam.” Sounded innocent enough.

I’m not sure if anything is innocent in Việt Nam. There is always a new layer to be uncovered, and for us, never more than on this day.

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And The River Sings of Eternity: From Huế to Paris for Tôn Thất Tiết

30 Thursday Jun 2016

Posted by Jeff von der Schmidt in Composers, Contemporary Music, Hanoi New Music Ensemble, LA International New Music Festival, Music, Paris, Travel, Uncategorized, Vietnam

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Andre Jolivet, Anthony Bourdain, Asia, Buddhism, Dam Quang MInh, Dong Kinh Co Nhạc, Hanoi New Music Ensemble, Kent Nagano, Los Angeles International New Music Festival, Nguyen Thien Dao, Olivier Messiaen, Thich Nhat Hanh, Ton That Tiet, Vietnam, Vivan Diep, Vu Nhat Tan

image

Sunset in Paris on the Seine from the Pont des Arts.

My friend Tôn Thất Tiết, who I would describe as a hybrid Vietnamese French composer who is fundamentally Vietnamese, writes the most patient music I’ve ever encountered. Poised from years of Buddhist thought and traditions, his command of stillness inspires me. And like the metaphor of water he often invokes, his music conceals endless energy underneath a calm surface.

Tiết was born in Huế, Việt Nam in 1933, went to Paris in 1958, studied with Messiaen’s friend André Jolivet and became a French citizen in 1971. In 1993 he founded the France-Việt Nam Music Association to promote the development of traditional music in Việt Nam.

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