The Ambassador’s Party: Arts Diplomacy & The Hà Nội New Music Ensemble

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The residence of the U.S. Ambassador to Vietnam.

The residence of the U.S. Ambassador to Việt Nam.

“Sometimes i do my job by signing a letter.”

Perhaps, just perhaps, this blog might provide a small but helpful antidote to the toxic political season underway in the United States.  I look for facts, not coincidences, in life. And so what I’ll be revealing in this post is, first and foremost, simple fact.

Because the wisdom of President Barack Obama appointing Ted Osius as the U.S. Ambassador to Việt Nam contains a lot of facts that might help you see the United States in a different light. After meeting Ambassador Osius, I am more proud of my country than ever before. And our Embassy staff in Hà Nội is an inspiring group of Americans in the foreign service!

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Manzi Art Space: a 1920s Gem for the Hà Nội New Music Ensemble

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Relaxing before a performance at the Manzi Art Space in Hanoi.

Relaxing before a performance at the Manzi Art Space in Hà Nội.

I was just asked yesterday by a good friend, who has never visited Việt Nam, what remains in the country from the era of French colonialism, what might he experience if he visited. Though answering the question could fill a few volumes, I’ll give you a some general observations.

The most obvious French echoes, along with influences in Vietnamese cuisine, are the numerous buildings that one encounters all over the country, and not just in Hà Nội. This unique blend of France and Việt Nam accounts for Ambassador Ted Osius’ belief that, after 30 years of service in Asia, he believes Hà Nội is the most beautiful city in a beautiful country.

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An Old Quarter Debut for the Hanoi New Music Ensemble

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A typical Old Quarter transaction.

A typical Old Quarter transaction.

If I were asked to put my impressions of the Vietnamese on the back of a business card, I’d probably settle on “the most resourceful people on Earth.” My friends there have a way of tunneling under, going around, slicing through, or soaring above any and all situations life throws in their way. Sometimes they do these things simultaneously, which makes working in Vietnam always interesting.

Before I was approached to be an official artistic advisor and conductor to the Hanoi New Music Ensemble, I was made aware of many new developments in the performing arts infrastructure in Hanoi. But one report, of a new cultural center smack in the heart of the intoxicating Old Quarter, helped me go from interested to YES!

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The Dragon Awakes: Introducing the Hà Nội New Music Ensemble

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The Hanoi New Music Ensemble.

The Hà Nội New Music Ensemble.

The world had better get ready for the Hà Nội New Music Ensemble!

I’ve had a busy autumn schedule in Asia, with meetings in Singapore, Malaysia, Hong Kong and Japan, all surrounding activities in Việt Nam and discussing the exciting inaugural concerts of the Hà Nội New Music Ensemble. There are quite a few blog posts on the way about this important new group I am privileged to conduct, so I’m going to begin with a general introduction to the ensemble’s auspicious launch in October.

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The Buddha on the Mantle and My Path to Việt Nam

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The new Old Quarter Cultural Exchange will host the first concert of the Hanoi New Music Ensemble on October 25.

The new Old Quarter Cultural Exchange will host the first concert of the Hà Nội New Music Ensemble on October 25.

Why Việt Nam?

Jan and I are looking forward to going to Hà Nội soon, and I’m excited to announce the inaugural concerts of the Hà Nội New Music Ensemble as we begin our roles as artistic advisors to this new group and the Hà Nội Philharmonic Orchestra in October. The concerts are October 25 at the new Old Quarter Cultural Exchange, October 29 at the Manzi Art Space and October 31 in the Grand Hall of the Việt Nam National Academy of Music.

One thing, as they say, leads to another. But why Việt Nam?

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The Blue & Red Houses of Frida Kahlo & Leon Trotsky

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La Casa Azul in Coyoacan of Kahlo and Rivera.

La Casa Azul in Coyoacan of Kahlo and Rivera.

I’m very much in two worlds simultaneously right now. I’ve recently returned from an amazing week in Coyoacan with Gabriela Ortiz, following up with her and other friends in Mexico City on the success of our Los Angeles International New Music Festival this past July and planning next steps for the future. At the same time I’m also wrapping my head around my new post as artistic advisor to the Hanoi Philharmonic Orchestra and planning the first concerts of the Hanoi New Music Ensemble (probably its working title for now).

Glad to be based in Los Angeles, where the question for dinner can easily boil down to pho noodle soup? Or tacos?

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The Gin Party!

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From left to right Amanda Aachen, Jon Lee Keenan, Abdiel Gonzalez and Elissa Johnston.

From left to right Amanda Aachen, Jon Lee Keenan, Abdiel Gonzalez and Elissa Johnston.

I hope you’re hungry and thirsty when you read this post!

It’s funny how celebrations come together. When I planned an all Elliott  Carter concert for our recently completed Los Angeles International New Music Festival at REDCAT, I didn’t give the idea the green light until I got positive responses from Jon Lee Keenan, Abdiel Gonzalez and Elissa Johnston. And all three were concert ready from the very first note, impressive to say the least

At the first rehearsal at my house, well ahead of getting together with the ensemble, Abdiel and I got to talking, as he had just returned from a tour to Ireland. Whiskey tastings had started around 10 AM. How about a true cocktail party to celebrate the Carter concert?

And so The Gin Party was born! Continue reading

Autumn in Asia: New Roles as Artistic Advisors in Hà Nội, Việt Nam Begin in October

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Jan and I at

At Phở Sương, or Happy Noodle, in the Old Quarter of Hà Nội in 2013.

Jan and I are thrilled, honored, and excited to begin a new adventure this October, one which I am happy to share with all my blog readers around the world.

Soon after my last post about our Los Angeles International New Music Festival at REDCAT in Walt Disney Concert Hall, an official invitation arrived from Dr. Lê Anh Tuấn, Deputy Rector of the Việt Nam National Academy of Music in Hà Nội. Dr. Tuan was inviting us to serve as Artistic Advisors to the Hà Nội Philharmonic Orchestra and play a key role in the founding of the Hà Nội New Music Ensemble.

Our answer? An obvious and immediate YES, YES, YES!

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A 2015 LA International New Music Festival Photo Album

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A good reason for smiles with Tambuco at REDCAT.

A good reason for smiles from Jan Karlin and Tambuco at REDCAT.

My friend Ricardo Gallardo, director of the magnificent Tambuco Percussion Ensemble of Mexico City, said it best at the conclusion of our third Los Angeles International New Music Festival. “We are just getting started!” 17 composers from Mexico, Japan, Vietnam, Cuba, Argentina, Colombia, Uruguay, Costa Rica, Brazil and the United States in 23 works in 5 concerts performed by 45 musicians at REDCAT in Walt Disney Concert Hall played to over 1,000 appreciative audience members. Let’s not leave out 10 U.S. premieres and 5 here on the West Coast, as well as hosting composers Gabriela Ortiz from Mexico and Leopoldo Novoa of Colombia.

We have some exciting photos so let’s take a look at the concerts and the people who made this a not to be forgotten festival.

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The Tambuco Studio in Xalapa: “Are Those Marimbas I Hear, Mr. Bond?”

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A Day of the Dead Parade opens SPECTRE, the next James Bond film.

A Day of the Dead Parade opens SPECTRE, the next James Bond film.

Here’s a Fun LA International New Music Festival Fact: Tambuco is part of the soundtrack of SPECTRE and the largest opening sequence in the history of the James Bond films set for release this November. To Tambuco’s surprise, director Sam Mendes is a huge fan of their work (via YouTube clips) and sent composer Thomas Newman to Mexico City to work on the score with them prior to shooting. Prepare for a percussive opening, that’s for sure!

This gargantuan opening sequence shut down the main square of Mexico City for about a week with thousands of extras, elaborately face painted and costumed for a Day of the Dead chase scene. Newman’s music is performed by Tambuco, who are also on camera during the sequence. We couldn’t be more proud of Tambuco!

“Are those marimbas I hear in Xalapa, Mr. Bond?”

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