• About Jeff von der Schmidt, the Hà Nội New Music Ensemble & LA International New Music Festival

Sound Travels with Jeff von der Schmidt

~ A blog about new music, travel and food

Sound Travels with Jeff von der Schmidt

Tag Archives: Laura Mercado-Wright

Los Angeles International New Music Festival Plans: Tokyo Meetings

10 Wednesday Feb 2016

Posted by Jeff von der Schmidt in Composers, Contemporary Music, Hanoi New Music Ensemble, Japan, LA International New Music Festival, Los Angeles, Mexico, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Travel, Uncategorized, Vietnam, Walt Disney Concert Hall

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Asia, Bunraku, Hanoi New Music Ensemble, Ichiro Nodaira, Japan, Kent Nagano, LA International New Music Festival, Laura Mercado-Wright, Los Angeles, Masako Okamura, Masamichi Kinoshita, Pierre Boulez, Takumi Ikeda, Tambuco Percussion Ensemble, Tomoko Momiyama, Toru Takemitsu, Toshiya Watanabe, Vietnam

With Ricardo Gallardo in his Coyoacan home August 2015.

Dreams and celebrations for the LA International New Music Festival with Ricardo Gallardo in his Mexico City home.

After my busy autumn in Asia, the next Los Angeles International New Music Festival is in the planning stages. We hope to build on the success we enjoyed at REDCAT Theater in Walt Disney Concert Hall this past July.

I’m casting a wide net for the next festival. Thirty years of experience has taught me to carefully plan, plan, plan. And then plan some more. In baseball terms, I’m not swinging at the first pitch but rather patiently waiting for the pitch that I know I can crush out of the park!

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A 2015 LA International New Music Festival Photo Album

31 Friday Jul 2015

Posted by Jeff von der Schmidt in Composers, Contemporary Music, Elliott Carter, Gabriela Ortiz, Japan, LA International New Music Festival, Laura Mercado-Wright, Los Angeles, Mexico, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Toshio Hosokawa, Vietnam, Walt Disney Concert Hall

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Abdiel Gonzalez, Ayana Haviv, Eclipse Quartet, Elissa Johnston, Elliott Carter, Gabriela Ortiz, Javier Alvarez, Jon Lee Keenan, Jordi Savall, LA International New Music Festival, Laura Mercado-Wright, Leopoldo Novoa, Los Angeles, Mexico, Southwest Chamber Music, Tambuco Percussion Ensemble, Tembembe Ensemble, Toshio Hosokawa, Vu Nhat Tan

A good reason for smiles with Tambuco at REDCAT.

A good reason for smiles from Jan Karlin and Tambuco at REDCAT.

My friend Ricardo Gallardo, director of the magnificent Tambuco Percussion Ensemble of Mexico City, said it best at the conclusion of our third Los Angeles International New Music Festival. “We are just getting started!” 17 composers from Mexico, Japan, Vietnam, Cuba, Argentina, Colombia, Uruguay, Costa Rica, Brazil and the United States in 23 works in 5 concerts performed by 45 musicians at REDCAT in Walt Disney Concert Hall played to over 1,000 appreciative audience members. Let’s not leave out 10 U.S. premieres and 5 here on the West Coast, as well as hosting composers Gabriela Ortiz from Mexico and Leopoldo Novoa of Colombia.

We have some exciting photos so let’s take a look at the concerts and the people who made this a not to be forgotten festival.

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Toshio Hosokawa’s THE RAVEN receives West Coast Premiere July 9 with Laura Mercado-Wright

04 Thursday Jun 2015

Posted by Jeff von der Schmidt in Contemporary Music, Japan, LA International New Music Festival, Latin Grammy Awards, Laura Mercado-Wright, Los Angeles, REDCAT, Southwest Chamber Music, Toshio Hosokawa, Walt Disney Concert Hall

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Asia, Claude Debussy, Edgar Allan Poe, Gustave Dore, Japan, Japanese Noh drama, LA International New Music Festival, Laura Mercado-Wright, REDCAT at Walt Disney Concert Hall, Toru Takemitsu, Toshio Hosokawa

Laura Mercad0-Wright is The Raven on July 9.

Laura Mercado-Wright is The Raven on July 9.

Sometimes ideas are obvious, a favorite theme of mine. On first glance the idea of a Japanese composer setting the iconic poem The Raven by Edgar Allan Poe seemed to approach hubris. Really, a Japanese composer taking on one of the most famous American poems? But I was curious about Toshio Hosokawa, an important Japanese composer I’d been hearing about from friends Kent Nagano, Momo Kodama and Ichiro and Tami Nodaira, and asked for a perusal score from his publisher, Yuki Yokota at Schott Japan.

Fortunately Hosokawa’s score appeared in a timely way in my mailbox from Tokyo a few months ago. I started reading the piece and rereading the poem. I got hooked, very hooked, in a matter of hours, and started to grasp the obvious. And I heard the voice of my good friend Laura Mercado-Wright after the first few bars.

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