Tags
Cafe Louise, George Bizet, Hanoi New Music Ensemble, Hector Berlioz, LA International New Music Festival, Le sacre du printemps, Los Angeles Philharmonic, Montmartre, Montmartre Cemetery, Nguyen Thien Dao, Pere Lachaise Cemetery, Romeo & Juliet, St. Germain, Theatre Des Champs Elysses, Ton That Tiet
The Théâtre des Champs Élysées in Paris, home to the riotous premiere of Stravinsky’s Le sacre du printemps.
Paris seems much larger than it really is because of the infinite number of mirrors that duplicate its true space. Carlos Fuentes Terra Nostra
Mirrors and circles come to my mind when I think of my love for Paris. Reflections of the city are found all over the world and, like the circular arrangement of its arrondissements, Paris always returns. Whoever said that all roads lead to Rome must have known that Paris wouldn’t need any help.
My position as artistic advisor to the Hà Nội New Music Ensemble gave me the opportunity to return to Paris in May. The purpose of the trip was to lay the foundation for long term French alliances for the new music wave I’m leading out of Việt Nam. As you’ll see in the next few years, the trip was a big success, and I’ll be posting more about various aspects of these meetings this summer.
But my wife Jan and I also needed to pay an important visit to an iconic Paris location that we’d never managed to find time to visit on other trips. Quarreling with fate is never productive. And when dealing with Việt Nam, Paris is never far away.
