Tag Archives: Pierre Boulez

The Hamburg Elbphilharmonie & Schoenberg’s Gurrelieder

27 Tuesday Jun 2017

Posted by in Arnold Schoenberg, Composers, Elbphilharmonie, Gurrelieder, Hamburg, Hanoi New Music Ensemble, Kent Nagano, Music, Uncategorized, Vietnam, Walt Disney Concert Hall

≈ Leave a comment

Tags

, , , , , , , , , , , , , , ,

2017-06-18 15.11.00

The shining new Elbphilharmonie in Hamburg.

If you’re curious why Alan Gilbert is leaving the New York Philharmonic for Hamburg’s NDR Elbphilharmonie, here’s a statistic for you. My friend Kent Nagano’s entire ten concert season at the shining new hall with his Hamburg Staatsorchester is already completely sold out. How long did it take? One hour.

Welcome to Hamburg!

Continue reading →

Who Knew? Chez Janou and 80 Types of Pastis in Paris

16 Tuesday May 2017

Posted by in Ancient Ensemble of Tonkin, Buddhism, Composers, Contemporary Music, Food, Hanoi, Hanoi New Music Ensemble, Japan, Kim Ngoc Tran, Kyoto, LA International New Music Festival, Los Angeles, Minh Dam Quang, Paris, Travel, Uncategorized, Vietnam, Vu Nhat Tan

≈ Leave a comment

Tags

, , , , , , , , , , , , , , , , ,

IMG_7335

Jan at Chez Janou.

Invariably, when one searches the internet for restaurant reviews of places to go in Paris, the general observation includes a few “rude service” comments. Personally, I’ve never experienced what they’re talking about, but that might be because I have a decent amount of French. I’ve always found Parisians pretty easy going if you just say “Bonjour” when you walk into a restaurant or a shop. You aren’t the first tourist they’ve ever seen. Smiles always help you.

Jan and I are in Europe for planning meetings for next steps for our Hà Nội New Music Ensemble in Việt Nam. Things are moving forward, for while we’re in Europe, my Vietnamese colleagues have concerts in Hà Nội with the directors of the Münchner Biennale and then tour to the Guangxi Festival in Nanning, China. By dividing our resources we’re getting ready for an ambitious future.

Allow me to share with you where a Parisian friend recommended we meet for dinner? And the staff is friendly and fantastic. Feel free to make your own reservation!

Continue reading →

In Việt Nam, Listening to the Past to Hear the Future

27 Sunday Nov 2016

Posted by in Ancient Ensemble of Tonkin, Composers, Cong CaPhe, Contemporary Music, Diplomacy, Food, Hanoi, Hanoi New Music Ensemble, Kim Ngoc Tran, LA International New Music Festival, Minh Dam Quang, Nguyen Minh Nhat, Travel, Uncategorized, Vietnam, Vu Nhat Tan

≈ Leave a comment

Tags

, , , , , , , , , ,

Violinist Vu Khanh Linh on her way to rehearse with the Ha Noi New Music Ensemble.

On the move: violinist Vũ Khánh Linh on her way to rehearsal with the Hà Nội New Music Ensemble.

Searching for a word or a phrase to describe the members of my Hà Nội New Music Ensemble is a rewarding thought experiment. Doing so back home in Los Angeles is a great cure for massive Southeast Asian jet lag (mixed often, I’m afraid, with a strong dose of post election California blues). Like Việt Nam itself, there are contradictions, aspirations, habits and desires to be understood in their makeup. But if pressed for a description, here’s my choice.

Energy. As in the monster capacity Vietnamese audiences we enjoyed together. And I have to force these players to take a rehearsal break. Or to stop celebrating!

Continue reading →

A Circle of Trust: the Hà Nội New Music Ensemble Season Begins Sunday October 23

19 Wednesday Oct 2016

Posted by in Composers, Contemporary Music, Diplomacy, Education, Food, Hanoi, Hanoi New Music Ensemble, Kim Ngoc Tran, LA International New Music Festival, Music, Paris, Travel, Uncategorized, Vietnam, Vu Nhat Tan

≈ Leave a comment

Tags

, , , , , , , , , , , , ,

Working on every detail with Vu Khanh Linh and Giang Dương.

Working on every detail with Vũ Khánh Linh and Giang Dương.

Being creative is like riding a bicycle: either you keep going forward or you fall off. – Pierre Boulez

Sunday night at 8 PM the Hà Nội New Music Ensemble begins its second season at L’espace, sponsored by the l’Institut français du Việt Nam-Hà Nội. A group whose time is long overdue, I’m honored to be to help these hard working Vietnamese musicians as their artistic advisor and conductor.

A triangle of countries, France, Việt Nam and the United States, blends with a triangle of cities, Paris, Hà Nội and Los Angeles, for this second season opener. The new music world potential for my friends is vast, but much hard work has to come first. Excepting the usual suspects of classical music, you name the 20th century composer and you might be leading a Vietnamese premiere!

Looking over the horizon, I predict you will see a new music wave in the next few years cresting in Southeast Asia with the emergence of the Hà Nội New Music Ensemble!

Continue reading →

The Obama Combo: Bún Chả Hương Liên in Hà Nội’s French Quarter

22 Thursday Sep 2016

Posted by in Cong CaPhe, Contemporary Music, Diplomacy, Food, Hanoi, Hanoi New Music Ensemble, Travel, Uncategorized, Vietnam, Vu Nhat Tan

≈ Leave a comment

Tags

, , , , , , , , , , , , , , , ,

Where to order the Obama Combo.

Where to find the Obama Combo in Hà Nội’s French Quarter.

“Jeff,” texted my friend Vũ Nhật Tân, “I want to take you and Jan for Obama bún chả in French Quarter, not far from where you stay. They are now so busy that we should meet at 10:30 AM for early early lunch or 5 PM for early early dinner. OK?”

That’s a text message that was easy to answer!

Continue reading →

French Connections and A Favorite Paris Restaurant of Pierre Boulez

23 Thursday Jun 2016

Posted by in Contemporary Music, Food, Hanoi, Hanoi New Music Ensemble, Kent Nagano, Kyoto, LA International New Music Festival, Music, Paris, Travel, Uncategorized, Vietnam

≈ Leave a comment

Tags

, , , , , , , , , , , , , , ,

A glass of Lillet on Rue du Buci in St. Germain.

A glass of Lillet on Rue du Buci in St. Germain.

Paris is always a good idea. Audrey Hepburn

If there was an Academy Award for the most influential city in the world, Paris would probably win hands down. It’s certainly played a leading role in the world of music, art, literature, cuisine, fashion, history, colonialism, architecture, poetry, sculpture, science, film, romance, photography, you name it and Paris has had a starring part.

My wife Jan and I went to Paris in May to create French connections for the Hanoi New Music Ensemble and the Los Angeles International New Music Festival. It’s not coincidental but my next concert in October is hosted by the Alliance Française in Hanoi. We realized that as Americans in Paris we’d be able to build bridges for the French music community back to their former colony and formidable enemy in Southeast Asia.

I like a good story and this is one of the best!

Continue reading →

Los Angeles International New Music Festival Plans: Tokyo Meetings

10 Wednesday Feb 2016

Posted by in Composers, Contemporary Music, Hanoi New Music Ensemble, Japan, LA International New Music Festival, Los Angeles, Mexico, Music, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Travel, Uncategorized, Vietnam, Walt Disney Concert Hall

≈ Leave a comment

Tags

, , , , , , , , , , , , , , , , ,

With Ricardo Gallardo in his Coyoacan home August 2015.

Dreams and celebrations for the LA International New Music Festival with Ricardo Gallardo in his Mexico City home.

After my busy autumn in Asia, the next Los Angeles International New Music Festival is in the planning stages. We hope to build on the success we enjoyed at REDCAT Theater in Walt Disney Concert Hall this past July.

I’m casting a wide net for the next festival. Thirty years of experience has taught me to carefully plan, plan, plan. And then plan some more. In baseball terms, I’m not swinging at the first pitch but rather patiently waiting for the pitch that I know I can crush out of the park!

Continue reading →

From 100 to 103: The Wisdom of Elliott Carter

18 Thursday Jun 2015

Posted by in Composers, Contemporary Music, Elliott Carter, Evan Hughes, LA International New Music Festival, Los Angeles, Music, New York City, REDCAT, Southwest Chamber Music, Tambuco Percussion Ensemble, Walt Disney Concert Hall

≈ Leave a comment

Tags

, , , , , , , , , , , , , ,

Elliott Carter at work in his Greenwich Village apartment on W. 12th.

Elliott Carter at work in his Greenwich Village apartment on W. 12th Street.

Around 2:30 P.M. on the afternoon of June 7th, 2012 my wife Jan and I arrived at Elliott Carter’s apartment for what was to be our last meeting together.  With Jan’s family in Brooklyn and New Jersey, we’d drop in on Elliott every opportunity we could and have luckily lost count just how many times we’d visited.  As Elliott entered his late 90s, each meeting became a special occasion. He was 103 that final late spring day.

The days of lunches prepared by his wife Helen were long gone by that point, but we still remember her simple New England tomato soup, and often quietly wear the scarf she gave Jan or the tie she gave me. And Carter was not far, about a block down and over, from the apartment of Charles Ives, which we’d sometimes go and see after visiting with Carter.

Continue reading →

From Old Hollywood to Old Vienna

29 Friday Aug 2014

Posted by in Austria, Contemporary Music, Education, LA International New Music Festival, Music, Southwest Chamber Music, Travel, Uncategorized, Vienna Philharmonic

≈ 2 Comments

Tags

, , , , , , , , , , , , , ,

A gorgeous Viennese spring day.

A gorgeous Viennese spring day.

“Am I boring you?”

I was 22 years old in September of 1977. I had dreamed and worked and worked and dreamed of studying music in Vienna. At the time I played the French horn, which I retired in 1998 to devote myself to conducting. But for 25 years or more the horn was my voice, my love, my sound. And the person who had the greatest sound in the world was in Vienna, Roland Berger of the Vienna Philharmonic. All that money washing dishes in my parents’ restaurant was beginning to pay off.

However as I now look back, one man took me under his wing, guided me, encouraged me, talked to me, questioned me. And I know that I learned as much, if not more, from renowned Austrian painter Georg Eisler than any musical mentor I would encounter. His father, composer Hanns Eisler, was nominated for two Academy Awards in the 1940s. Somewhat more ominously, Hanns was the prime target of Richard Nixon and the House Un-American Activities Committee, known as HUAC.

“Am I boring you?”

Continue reading →