I love studying scores early in the morning. Maybe it’s because I was born around 8:20 A.M. – some say that’s a good indication of a morning person. Those early hours are undistracted and quiet for learning chords, orchestration, voicings, tempi, interpretation, making all the new details familiar like old friends.
My rule of thumb is to go to sleep each night truly putting the day’s work away. If I can remember everything clearly when I wake up the next morning, I’ve learned just a bit more for the coming performances and then know what to repeat and when to move forward. That makes the next early morning so important for my work habit. And I knew today I’m ready for our LA International New Music Festival starting at REDCAT next week on Tuesday July 7 at 8:30 P.M., with a pre-concert talk at 8 P.M.
Because this morning I got a visitor telling me that just the right energy is coming out of my study!
I always reach a moment in studying a new score where everything comes togther, where the newness fades and familiarity takes over, in an encouraging way. However today was exceptional. As I was going over the portions of Toshio Hosokawa’s The Raven that depict the ebony bird landing on a staute of Pallas Athena in Poe’s cold December room, I looked up. Maybe it wasn’t a black crow (of whch we have quite a few here in Pasadena) but it was a black cat. And a spitting image of the cat I had as teenager.
A sign? A ghost from a past pet? A message from Poe? Hosokawa from Japan? I don’t know, but I believe in facts and not coincidences, so I took a photo just to know I wasn’t hallucinating after reading a lot of Edgar Allan Poe and learning Hosokawa’s music!
Edgar Allan Poe and Toshio Hosokawa aren’t the only artists reaching for the beyond. Got Mayan Cosmology? Gabriela Ortiz does on Wednesday July 8!
The programs Ricardo Gallardo and I have concocted will take you to places you’ve never been – really, you’ve heard a lot of music from Costa Rica, Uruguay, Colombia, Brazil, Vietnam, Japan, Argentina, Cuba recently? These new faces and sounds from around the globe can take you to the unexpected, perhaps that Mayan wall above or into a Japanese world that for all its “salary man” efficiency acknowledges deep connections to the past.
So from the Mayan world of Gabriela Ortiz to the Noh inspired version of Edgar Allan Poe by Toshio Hosokawa, with gongs and rattles and chimes and drums galore with our two Tambuco concerts July 7 and July 14, prepare to move out of new music complacency with where your music comes from.
And talking about reaching for the beyond, the last works of Elliott Carter are not to be missed. Working on them is a joy, and all the details are fast becoming old friends. We’ve all never been here – a concert of premieres written between 100 and 103. Final thoughts puts it mildly. Be there Wednesday July 15!
So make your plans to come to REDCAT for our five concerts between July 7 and July 15, all of them important and not to be missed. Each evening will begin with a pre-concert talk at 8 P.M. which we hope you’ll enjoy.
For your convenience, here’a the list of complete programs:
Tuesday, July 7 – Tambuco’s Latin America
- Gerardo Gandini Escuchando Pierrot Chez Mme. Ocampo (Argentina)
- Leopoldo Novoa ¿Sábe Cóme é? (Colombia)
- Jorge Camiruaga Cuarteto en Chico (Uruguay)
- Alejandro Cardona Las siete vidas del Gato Mandingo (Costa Rica)
- Hermeto Pascoal Musica para Caçerolas (Brazil)
- Hebert Vázquez Livre pour 4 marimbas (México)
Wednesday, July 8 – México’s Gabriela Ortiz
- Aroma Foliado
- Altar de Muertos
Thursday, July 9 – A New Era: Cuba, Vietnam, México & Japan
- Roberto Vizcaino Rumbla Clave (Cuba)
- Vu Nhat Tan Young Rice (Vietnam)
- Javier Alvarez Metal de Corazones (México)
- Toshio Hosokawa The Raven (Japan)
Tuesday, July 14 – Tambuco & Japan
- Masamichi Kinoshita Les enfant de la mer qui ont perdu memoire de l’eau II
- Toshiya Watanabe A Sign
- Takumi Ikeda La Caverna (without allegory)
- Toru Takemitsu Rain Tree
- Tomoko Momiyama Moons of Hidden Shadows
Wednesday, July 15 – From 100 to 103: The Last Works of Elliott Carter
- Tintinnabulation for 6 Percussionists (Edgar Allan Poe)
- A Sunbeam’s Architecture (E.E. Cummings)
- The American Sublime (Wallace Stevens)
- What Are Years (Marianne Moore)
- On Conversing With Paradise (Ezra Pound)
Concerts are at 8:30 PM with pre-concert talks at 8 PM. Tickets may be purchased at the REDCAT box office, by phone at 213.237.2800 or online at redcat.org. For more information and detailed program information, visit http://www.swmusic.org
See you all at REDCAT starting Tuesday July 7! Have a wonderful July 4th weekend!
Best, best, best,