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Aleander Goehr, Betty Freeman, Elliott Carter, Ernest Fleischmann, Hanoi New Music Ensemble, Hans Werner Henze, Oliver Knussen, Southwest Chamber Music, Tanglewood, Toru Takemitsu
A perfect last photo of Oliver Knussen on July 6, 2018 at the Royal Academy of Music in London, receiving an Honorary Doctorate.
”Aren’t you the fantastic horn player I’ve been hearing?” came an introduction towards my direction, in that one of a one voice. We were in the Music Library at Tanglewood in the summer of 1980. As fate would have it on that humid Berkshire afternoon in July, I was studying the score of Voices by Hans Werner Henze and he was working on Where The Wild Things Are. I didn’t realize that just opening that particular Henze score would be all the personal introduction needed for Oliver Knussen to strike up a conversation with me.
A warm friendship began that would last for the next thirty eight years, until his untimely death a few weeks ago. We always remained in touch, either here in Los Angeles, where he conducted often in the 1980s, during our engaging phone calls, or on our return trips to Tanglewood to visit my wife Jan’s family. “I’ve certainly met you in past life!” would become Olly’s charming Leit-motif for saying hello to Jan.
Grief creates a strange energy, and I know that I am not alone coping with the shock that Olly is no longer with his daughter Sonya, with my wife Jan, with me, with any of his friends, with the entire new music community all over the world. A man of uncommon common sense, don’t let appearances fool you. Of all of Oliver Knussen’s gigantic appetites, the largest was for music.
